Chelsea Green Publishing

Walking on Water

Pages:232 pages
Size: 5.5 x 8.5 inch
Publisher:Chelsea Green Publishing
Paperback: 9781931498784
Pub. Date April 30, 2005

Walking on Water

Reading, Writing and Revolution

Availability: In Stock

Paperback

Available Date:
April 30, 2005

$20.00

Remember the days of longing for the hands on the classroom clock to move faster? Most of us would say we love to learn, but we hated school. Why is that? What happens to creativity and individuality as we pass through the educational system?

Walking on Water is a startling and provocative look at teaching, writing, creativity, and life by a writer increasingly recognized for his passionate and articulate critique of modern civilization. This time Derrick Jensen brings us into his classroom--whether college or maximum security prison--where he teaches writing. He reveals how schools perpetuate the great illusion that happiness lies outside of ourselves and that learning to please and submit to those in power makes us into lifelong clock-watchers. As a writing teacher Jensen guides his students out of the confines of traditional education to find their own voices, freedom, and creativity.

Jensen's great gift as a teacher and writer is to bring us fully alive at the same moment he is making us confront our losses and count our defeats. It is at the center of Walking on Water, a book that is not only a hard-hitting and sometimes scathing critique of our current educational system and not only a hands-on method for learning how to write, but, like Julia Cameron's The Artist's Way, a lesson on how to connect to the core of our creative selves, to the miracle of waking up and arriving breathless (but with dry feet) on the far shore.

REVIEWS AND PRAISE

"[Jensen]…deftly wraps his politics in humor, poignant teacher-student encounters and a clear passion for young minds. Jensen is an important, alternative voice of our times."--Mercury News

"The clarity and force of these ideas cut like a scalpel in the hands of a surgeon, preserving the vital, removing the diseased. Mr. Jensen burns sharp holes in the dark places of those rituals we have been tricked into believing are education. We owe him a debt of gratitude for these transformational insights. Read this book!"--John Taylor Gatto, author of Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling

Publishers Weekly-
Writing teacher Jensen doesn't believe in the traditional grading system, which he calls "a cudgel to bludgeon the unwilling into doing what they don't want to do," so he opts instead to give his students at Eastern Washington University check marks: one check mark for turning in a piece of writing, four for editing that writing into perfection. For this opinionated offering on writing, teaching and the state of the world, Jensen deserves four checkmarks for courage. His ideas are always radical and often inspiring. He rails against the public education system frequently and with refreshing humor, telling students their papers "have to be good enough—interesting enough—that I would rather read them than make love." Drawing on his personal experience, he castigates what he sees as formal education's lack of creativity and flexibility for personal style. Jensen's strength lies in his honest, provocative, passionate approach. The rawness of his ideas is this book's virtue, but it's also its vice. When Jensen makes seemingly random forays into commentary on the demise of the environment or political consciousness (subjects he explored in earlier books like The Culture of Make Believe), his writing becomes long-winded and unfocused. He loses sight of his own seventh rule of writing, which he so dramatically relays to his students: clarity. But more importantly, Jensen's first, second, third and fourth rules of writing are "Don't bore the reader." In that effort, he succeeds masterfully.

ABOUT THE AUTHOR

Derrick Jensen

Derrick Jensen is the prize-winning author of A Language Older than Words, The Culture of Make Believe, Listening to the Land, Strangely Like War, Welcome to the Machine, and Walking on Water. He was one of two finalists for the 2003 J. Anthony Lukas Book Prize, which cited The Culture of Make Believe as "a passionate and provocative meditation on the nexus of racism, genocide, environmental destruction and corporate malfeasance, where civilization meets its discontents." He writes for The New York Times Magazine, Audubon, and The Sun Magazine among many others.  He is an environmental activist and lives on the coast of northern California.

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Derrick Jensen takes no prisoners in The Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyrical A Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.

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In this far-ranging and heartening collection, Derrick Jensen gathers conversations with environmentalists, theologians, Native Americans, psychologists, and feminists, engaging some of our best minds in an exploration of more peaceful ways to live on Earth. Included here is Dave Foreman on biodiversity, Matthew Fox on Christianity and nature, Jerry Mander on technology, and Terry Tempest Williams on an erotic connection to the land. With intelligence and compassion, Listening to the Land moves from a look at the condition of the environment and the health of our spirit to a beautiful evocation of eros and a life based on love.

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At once a beautifully poetic memoir and an exploration of the various ways we live in the world, A Language Older Than Words explains violence as a pathology that touches every aspect of our lives and indeed affects all aspects of life on Earth. This chronicle of a young man's drive to transcend domestic abuse offers a challenging look at our worldwide sense of community and how we can make things better.

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Diane Wilson is an activist, shrimper, and all around hell-raiser whose first book, An Unreasonable Woman, told of her battle to save her bay in Seadrift, Texas. Back then, she was an accidental activist who worked with whistleblowers, organized protests, and eventually sunk her own boat to stop the plastic-manufacturing giant Formosa from releasing dangerous chemicals into water she shrimped in, grew up on, and loved.

But, it turns out, the fight against Formosa was just the beginning. In Diary of an Eco-Outlaw, Diane writes about what happened as she began to fight injustice not just in Seadrift, but around the world-taking on Union Carbide for its failure to compensate those injured in the Bhopal disaster, cofounding the women's antiwar group Code Pink to protest the wars in Iraq and Afghanistan, attempting a citizens arrest of Dick Cheney, famously covering herself with fake oil and demanding the arrest of then BP CEO Tony Hayward as he testified before Congress, and otherwise becoming a world-class activist against corporate injustice, war, and environmental crimes.

As George Bernard Shaw once said, "all progress depends on unreasonable women." And in the Diary of an Eco-Outlaw, the eminently unreasonable Wilson delivers a no-holds-barred account of how she-a fourth-generation shrimper, former boat captain, and mother of five-took a turn at midlife, unable to stand by quietly as she witnessed abuses of people and the environment. Since then, she has launched legislative campaigns, demonstrations, and hunger strikes-and generally gotten herself in all manner of trouble.

All worth it, says Wilson. Jailed more than 50 times for civil disobedience, Wilson has stood up for environmental justice, and peace, around the world-a fact that has earned her many kudos from environmentalists and peace activists alike, and that has forced progress where progress was hard to come by.

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AUTHOR VIDEOS

Derrick Jensen on Democracy NOW!

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